
From heaven we descend
The opening of Herzog’s Aguirre, Wrath of God shows the insignificance of man against nature. Continue reading From heaven we descend
The opening of Herzog’s Aguirre, Wrath of God shows the insignificance of man against nature. Continue reading From heaven we descend
The freeze frame ending of Gallipoli is one of the greatest final shots in cinema. Continue reading The final shot
A Hitchcockian camera trick still makes great cinema today. Continue reading That queasy feeling
The opening montage of David Lynch’s Blue Velvet is a perfect expose of the American dream. Continue reading Beneath the American dream
The final shot of The Third Man is a masterpiece of anticipation and artistic courage. Continue reading What happens next