
The Stunt Man (1980)
Richard Rush celebrates and deconstructs Hollywood with cheeky irreverence in a PTSD action-satire masterpiece. Continue reading The Stunt Man (1980)
Richard Rush celebrates and deconstructs Hollywood with cheeky irreverence in a PTSD action-satire masterpiece. Continue reading The Stunt Man (1980)
Media manipulation and the obsession with perfection prove yesterday’s futureshock is now in Michael Crichton’s satirical sf thriller Continue reading Looker (1981)
The Breakfast Club’s final shot air punches the future. Continue reading Don’t forget me
Roger Deakin’s cinematography shows an image beats 1000 words. Continue reading Into hell we descend
The first four minutes of Woody Allen’s Manhattan is his greatest work. Continue reading Loving the city
The opening of Herzog’s Aguirre, Wrath of God shows the insignificance of man against nature. Continue reading From heaven we descend